Sleeping beauty feminism essay

Sleeping Beauty has attracted attention from students and faculty in academia. In Film Quarterly in 2011, Genevieve Yue compared the Catherine Breillat film The Sleeping Beauty to the Leigh film, in detail. [43] [ full citation needed ] Emma Deleva, writing in Cahiers du Cinéma in 2011, discussed the controversy over the French R16 classification and the distributor's unsuccessful appeal against it. [44] [ full citation needed ] In 2012, Lesley Chow, writing in Bright Lights Film Journal , discussed other literary aspects relevant to the film, including the symbolic use of sleep as a metaphor. [45] [ full citation needed ] This line of argument was extended by Meredith Jones in 2014, in a paper in the International Journal of Cultural Studies , where Sleeping Beauty was argued to represent sleep as the "anti-matter to the neo-liberal imperative of Just Do It.". [46] [ full citation needed ] [47] In 2014, Kyra Clarke argued that Sleeping Beauty "highlights the importance of placing aside" conventional media expectations of girls, accepting, rather, "the challenge of confused and imperfect representations" enabling "recognition of the heteronormative constraints that structure society" (in a paper in Studies in Australian Cinema ). [48] Kendra Reynolds concludes a paper in the Journal of International Women's Studies stating that "through her anti-tale Leigh provides the resuscitation needed to revive feminism from its premature bed in order to ensure that the real Sleeping Beauty, the true female identity, will not sleep forever.". [49] In a 2016 University of Montreal Masters thesis, Laurence Lejour-Perras, comparing Sleeping Beauty with Anatomy of Hell (Catherine Breillat 2004), Nuit#1 (Anne Émond 2011) and Klip (Maja Milos 2012) shows how these female directors deconstruct the female gender stereotypes of passivity and modesty, thus deliberately thwarting the spectator's erotic experience. [50]

A growing disaffection among a section of women activists led to a group deciding to organise their own liberation struggle, on the model of a national liberation movement. But in reality the thread to early socialist ideas had not been completely severed. Sara Evans points out in her powerful account of the origins of the women’s liberation movement in the US, Personal Politics , that many of these key women who became founders of the WLM were in fact children of socialists, trade union organisers and Communists—red diaper women:

Sleeping beauty feminism essay

sleeping beauty feminism essay


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